Okay, that seemed to be the lynchpin of this whole operation, yes. Another clue.. a signature in the bottom right corner, a man's name.

Jim Davis.

Yes, I'm on to it for sure.

So.. one: Garfield, orange cat, and two: Jim Davis, the creator of this cat.

And that curiously plain man.

I did not know, at the time, that his name was Jon. This strip, you see, had no mention of this man's name, and I'd never seen it before.

But I had these clues; Jim Davis, Garfield.

And then I saw more, I spotted the tiny copyright mark in the upper left corner. Copyright 1978 to.. what is this? Copyright belongs to a.. PAWS Incorporated.

I use the local library and mail services to track down the information I was looking for.

Jim Davis, a cartoonist, had created a comic strip about a cat, Garfield... and a man, Jon Arbuckle. Well, from that point on, I made sure I read the Garfield comic strips, though as I read each one, as each day passed.. the strips seemed to resonate with me less and less.

I sent letters to PAWS Incorporated, long letters, pages upon pages.. asking if Mister Jim Davis could somehow publish just the one comic, over and over again.. "It would be meditative," I wrote, "the strength of that."

Could you imagine?

But.. no response.. The strips lost their power, and eventually I stopped reading, but... I did not want my perceptions diluted, so I vowed to read the pipe strip over and over again.. That is what I call it, "The Pipe Strip."

The Pipe Strip.

Everything about it is perfect. I can only describe it as a miracle creation, something came together.. the elements aligned.. It is like the comets, the cosmic orchestra that is up there over your head.. The immense, enormous void is working all for one thing, to tell you one thing.

Gas and rock, and purity, and nothing.

I will say this.. When I see the pipe strip.. and I mean every single time I look at the lines, the colors, the shapes that make up the three panel comic.

I see perfection.

Do I find perfection in many things?

Some things, I would say.. Some things are perfect.. and this is one of them. I can look at the little tuft of hair on Jon Arbuckle's head.. it is the perfect shade.. The purple pipe in Garfield's mouth..
How could a mere mortal even MAKE this?

I have a theory, about Jim Davis.

After copious research and, yes, of course, now we have the internet, and this information is all readily available, but..

Jim Davis, he used his life experiences to influence his comic.

Like I mentioned before, none of them seem to have the weight of the pipe strip... But you have to wonder about the man who is able to even, just once, create the perfect form, a literally flawless execution of art, brilliance! Just as in a ward.. I think there is a spiritual element at work..

I've seen my share of bad times and.. when you have something.. Well, it's just.. emotions, and neurons in your brain, but.. something tells you that it's the truth.

Truth's radiant light.

Garfield, the cat? Neurons in my brain, it's.. it's harmony, you see? It.. Jon and Garfield, it's truly harmony, like a.. continuous, looping, everlasting harmony.. The lavender chair, the brown end table, the salmon-colored wall, the fore's green carpeting, Garfield is hunched, perched.. perhaps with the pipe stuck firmly between his jowls.. His tail curls around. It's more than shapes too, because.. I..

Okay, stay with me.. I've done this experiment several times.

You take the strip. You trace only the basic elements. You can do anything, you can simplify the shapes down to just.. blobs, just outlines, but it still makes sense..

You can replace the blobs with magazine cutouts of other things, replace Jon Arbuckle with a.. car parked in a driveway sideways, cut that out of a magazine, stick it in.. Replace him there in the second panel with a.. a food processor.. Okay, and then we put a picture of the planet in the third panel over Garfield.

It still works.

These are universal proportions. I don't know.. how best to explain why it works, I've studied the pipe strip, and analyzed Jon and Garfield's proportions against several universal mathematical constants.

E, Pi, the Golden Ratio, the Feigenbaum Constants, and so on.. and it's surprising.. scary even, how things align. You can take just... tiny pieces of the pipe strip, for instance, take Jon's elbow from the second panel... and take that, and project it back over Jon's entire shape in the second panel, and you'll see a near perfect Fibonacci sequence emerge..

It's eerie to me.. and it makes you wonder if you're in the presence of a deity, if there is some larger hand at work.

There's no doubt in my mind that Jim Davis is a smart man..

Jim Davis is capable of anything to me.. He is remarkable, but this is so far beyond that, I think we might see that.. this work of art is revered and respected in years to come.

Jim Davis is possibly a new master of the craft, a genius of the eye; they very well may say the same things about Jim Davis in five hundred years that we say about the great philosophical and artistic masters from centuries ago.. Jim Davis is a modern day Socrates, or Da Vinci.. mixing both striking visual beauty with classical, daring, unheard-of intellect.

Look, he combines these things to make profoundly simple expressions.

This strip is his masterpiece. The Pipe Strip is his masterpiece. and it is a masterpiece and a marvel.

I often look at Garfield's particular pose, in this strip. He is poised, and statuesque.. and his cat stare is reminiscent of the fiery gazes often found in religious iconography... But still, his eyes are playful, lying somewhere between the solemn father's expression in.. Rembrandt's "Return of the Prodigal Son," and the coy smirk of Da Vinci's "Saint John The Baptist".

His ears stick up, signifying a peaked readiness.. It's as if he could, at any moment, pounce; he is, after all, a close relative and descendant of the mighty jungle cats of Africa that could leap. after prey. You could see the power drawn into Garfield's hind quarters, powerful haunches indeed.

The third panel.

And I'm just saying this now, this is just coming to me now.. The third panel of the pipe strip is essentially a microcosm for the entire strip itself. All the power dynamics, the struggle for superiority, right?

WHO has the pipe? WHERE is the pipe? All of that is drawn, built, layered into Garfield's iconic pose here. You can see it in the curl of his tail.. Garfield's ear whiskers stick up, on end, the smoke billows, upward.. drawing the eye upward.. increasing the scope.

I'm just.. amazed.. really, that after 33 years of reading, and analyzing the same comic strip, I'm able to find new dimensions. It's a testament to the work.

For six years, I delved into tobacco research, because.. can a cat smoke? This is a metaphysical question.. Yes, can any cat smoke? Do we know? Can just Garfield smoke?

The research says no. Nicotine poisoning can kill animals, especially household pets. All it takes is the nicotine found in as little as a single cigarette.

Surely, Jon's pipe hold a substantial amount of tobacco, and it is true that pets living in the homes of smokers are nearly 25% more likely to develop some form of cancer.. most likely due to secondhand smoke.. but these are facts of smoking, its tolls on our world.

But after visiting two tobacco processing plants in Virginia.. and the Phillip Morris cigarette manufacturing facility, I came no closer to cracking the meaning. I was looking for any insight. A detective of a homicide case has to look at every angle, so I'm always taking apart the pipe strip.
I focused on every minutiae, every detail of this strip.

Jon Arbuckle's clothing.. I have replicas. I'm an expert in textiles.. so, you see, this smoking thing was a hang-up for me.. but it was the statement here..