Cài đặt Steam
Đăng nhập
|
Ngôn ngữ
简体中文 (Hán giản thể)
繁體中文 (Hán phồn thể)
日本語 (Nhật)
한국어 (Hàn Quốc)
ไทย (Thái)
Български (Bungari)
Čeština (CH Séc)
Dansk (Đan Mạch)
Deutsch (Đức)
English (Anh)
Español - España (Tây Ban Nha - TBN)
Español - Latinoamérica (Tây Ban Nha cho Mỹ Latin)
Ελληνικά (Hy Lạp)
Français (Pháp)
Italiano (Ý)
Bahasa Indonesia (tiếng Indonesia)
Magyar (Hungary)
Nederlands (Hà Lan)
Norsk (Na Uy)
Polski (Ba Lan)
Português (Tiếng Bồ Đào Nha - BĐN)
Português - Brasil (Bồ Đào Nha - Brazil)
Română (Rumani)
Русский (Nga)
Suomi (Phần Lan)
Svenska (Thụy Điển)
Türkçe (Thổ Nhĩ Kỳ)
Українська (Ukraine)
Báo cáo lỗi dịch thuật
🐝 ✫ 👽 PBS viewers in the '70s as Rose, the maid on the LWT export "Upstairs,
🐠 ✫ 🚕 Downstairs." Though Marsh has since gone on to other projects, ... it's
🐊 ✫ 🍆 with Rose she's forever identified. So much so that she even likes to
🍖 ✫ 👑 joke about having one named after her, a distinction not without its
🚙 ✫ 🍇 drawbacks. "I was very flattered when I heard about it, but when I looked
👾 ✫ 📕 up the official description, it said, `Jean Marsh: pale peach, not very
⚡ ✫ 💚 good in beds; better up against a wall.' I want to tell you that's not
🍧 ✫ 😺 true. I'm very good in beds as well." 🎈🥗💛