Инсталирайте Steam
вход
|
език
Опростен китайски (简体中文)
Традиционен китайски (繁體中文)
Японски (日本語)
Корейски (한국어)
Тайландски (ไทย)
Чешки (Čeština)
Датски (Dansk)
Немски (Deutsch)
Английски (English)
Испански — Испания (Español — España)
Испански — Латинска Америка (Español — Latinoamérica)
Гръцки (Ελληνικά)
Френски (Français)
Италиански (Italiano)
Индонезийски (Bahasa Indonesia)
Унгарски (Magyar)
Холандски (Nederlands)
Норвежки (Norsk)
Полски (Polski)
Португалски (Português)
Бразилски португалски (Português — Brasil)
Румънски (Română)
Руски (Русский)
Финландски (Suomi)
Шведски (Svenska)
Турски (Türkçe)
Виетнамски (Tiếng Việt)
Украински (Українська)
Докладване на проблем с превода
I’m totally starting a Drive fan club, by the way. Who’s with me? Let’s wear gloves and pretend we’re all mysterious for the next few weeks. Also, can someone explain what the ending meant? Or is it supposed to be ambiguous? Because, you know, ambiguity equals good cinema, right?
In conclusion, this movie is so much more than a car movie. It’s a life-altering experience that will forever change the way I look at parking garages, silent protagonists, and the color pink. 10/10, would drive again.
Honestly, when I started this film, I thought I was in for some weird car movie, but I got art instead. It’s like a car chase meets existential crisis in a neon-lit world where the speed limit is mood. The soundtrack, OH MY GOD—I'm basically listening to A Real Hero on repeat now because I too want to feel like a mysterious, silent man who drives really fast. In fact, I just might get a jacket like his. If I start wearing a scorpion, will people think I’m cool? I think that’s how it works, right?