Recent reviews by PinkOmega

this dlc is complete and utter dookey, would recommend

instead of talking about the positives of this game (which would basically just be a partial review of half-life 2) i'll just list the issues

the weapons lack the punchiness you'd expect from a half-life game, since there's zero camera movement to accompany the shooting animations. it makes it feel like you're not holding a gun, but instead just walking around with a viewmodel floating in front of you. also, the gravity gun feels much "looser"(?) than it should, as if im dragging the props around with gmod's physics gun or something.

this might be a skill issue but i had no idea what i was doing in the final area. i think i was supposed to kill all of the zombies and headcrabs in the area, but this was not communicated as far as i can tell. this ended up with me wandering around looking for where im supposed to go next until i just so happened to kill the final headcrab and trigger the ending.

for most of my playthrough, the FPS sat at around 20-25, which doesn't feel very good to play, especially for a first-person shooter like this. optimization definitely needs to be worked on.

the developers need to take their focus off the visuals and instead work on the way the game feels.

Hunt Down The Freeman (HDTF), Royal Rudius Entertainment's debut first-person shooter, is truly an unparalleled masterpiece in the annals of gaming history. One must approach this enigmatic gem with the utmost delicacy, for it is not a mere game, but a transcendent work of digital art that defies the boundaries of conventional critique. From the very moment the player dons the gloves of H.E.C.U. Sergeant Mitchell, it becomes exceedingly clear that this is no ordinary journey. Rather, it is a profound voyage into the deepest recesses of the human psyche, fraught with existential dilemmas, moral quandaries, and a narrative so deeply woven that even the most seasoned of Half-Life fans may find themselves pausing to reflect on the very nature of storytelling itself.

HDTF's brilliance lies not only within its technical execution—although, one must admit that the quirks and peculiarities of its design serve to only heighten its charm—but in its audacity. To attempt to expand upon the rich and beloved universe of Valve's Half-Life, a franchise so deeply revered in the pantheon of gaming, requires a great deal of ambition. And yet, you won't find the developers pulling any punches here. Royal Rudius Entertainment had the gall to intertwine the tale of Gordon Freeman and his struggle against the universal union with the vengeful legend of Sergeant Mitchell, introducing a new perspective that sheds light on the events we thought we knew oh-so well.

The gameplay, with its inconsistent pacing and unconventional mechanics, offers a truly avant-garde, expectation-challenging experience. Although some may describe it as unpolished and flawed, I would argue that these so-called imperfections are nothing short of artistic intention. Like the brushstrokes of an impressionist painting, each rebellious keybinding and unorthodox feature—whether it be parkour, proning, or a set of night-vision goggles that prompts the player to consider the significance of waiting—serve to immerse the player in the game world by emphasizing the struggle that Mitchell is constantly facing in his fight for survival and revenge. Even the intermittent frame drops seen in early versions are not glitches, but deliberate pauses, giving players moments of meditative stillness amidst the chaos, as if the game itself is asking us to take a breath and comtemplate. A regrettably rare achievement in the modern gaming space.

One must also eulogize the voice acting—a beautiful symphony of raw emotion and unfiltered human expression. From the gravelly timbre of Mitchell's haunted voice to the surprising yet entirely captivating appearances of fan-favorite characters like the █████, every line is delivered with a grandeur nothing short of Shakespearean. The dialogue, rich with subtext and layered meaning, invites players to ponder on the philosophical implications of fate, vengeance, and the nature of heroism. The occasional awkward line delivery or subtle bump of a microphone fills the player with dread as it drills into their head the idea that they are on a script, both literally and in-world.

And let us not overlook the visuals. Though some may unfairly attempt to compare Hunt Down The Freeman to the sleek and highly-polished titles of today, I maintain that its aesthetic is one of deliberate restraint. The rough, inconsistent texturing and modelling, along with peculiar animations evoke a sense of nostalgia, harkening back to the golden age of gaming when imagination filled in the gaps and a game's soul mattered far more than its surface.

In conclusion, Hunt Down The Freeman is, without question, a tour de force—a bold, unflinching vision of what videos games can and should be. It is a work that challenges, provokes, and ultimately raises the bar. To those who aim to criticize it, I say this: Look deeper. Embrace its unconventional beauty. For in Hunt Down The Freeman, we are not merely playing a game—we are participating in a life-changing artistic experience, one that will no doubt be remembered and praised for generations to come. A triumph, a revelation, a true work of genius.

portal

she bears my faz until im freddy to go
unbravo vince

the enemy AI feels like im fighting the marine corp
unbravo vince

have you seen my COFFEE cup?

third portal scares me

june 3rd, 2022

never forget 🙏🙏